{"id":43,"date":"2020-09-23T12:38:44","date_gmt":"2020-09-23T09:38:44","guid":{"rendered":"http:\/\/localhost:8888\/wp-krp\/?page_id=43"},"modified":"2022-07-14T00:08:42","modified_gmt":"2022-07-13T21:08:42","slug":"bio-cv","status":"publish","type":"page","link":"https:\/\/radchenko.net.ua\/ua\/bio-cv\/","title":{"rendered":"Bio \/ CV"},"content":{"rendered":"\n

Kateryna Radchenko<\/strong><\/p>\n\n\n\n

Artist, curator, photography researcher. <\/p>\n\n\n\n

Major in Philosophy and Journalism at Odesa National University. Kateryna considers art as an alternative media to share stories and visualise problems. Interested in covering social issues through visual images. As an artist, she\u2019s working with collages, photo installations, and public space interventions.  <\/p>\n\n\n\n

Since 2015 \u2013 founder and director of the International Festival Odesa Photo Days.<\/p>\n\n\n\n

Kateryna is the author of articles published in several international magazines and on online platforms, such as Fotograf, Magenta, EIKON,  FOAM Magazine and British Journal of Photography. She curated exhibitions in Ukraine, South Korea, Sweden, Georgia, France,  Austria, Poland,  Latvia and the UK. <\/p>\n\n\n\n

Studied photography during the fellowship and residence programs at Villa Arson (Nice, France), Gaude Polonia (Warsaw, Poland), and the Museum of Photographic Arts (San Diego, USA).  Studied curatorship through participation in Curator\u2019s Platform at PinchukArtCenter (Kyiv, Ukraine).<\/p>\n\n\n\n


CV<\/strong><\/p>\n\n\n\n

Selected Artist Shows:<\/strong><\/p>\n\n\n\n

2021 <\/strong>Group show Langue Paternelle<\/em>, La maison de lours\/ Paris, France<\/p>\n\n\n\n

2019<\/strong> Solo show Post Box No. 28<\/em>, JUMP Gallery \/Poltava, Ukraine      <\/p>\n\n\n\n

2018<\/strong> International Tashkent Biennale of Contemporary Art \/Tashkent, Uzbekistan<\/p>\n\n\n\n

2018<\/strong> Group show, Mala Gallery Arsenal \/Kyiv, Ukraine <\/p>\n\n\n\n

2017 <\/strong>Solo show Oblivion<\/em>, 5th<\/sup> Odessa Biennale of Contemporary Art \/Odesa, Ukraine<\/p>\n\n\n\n

2017<\/strong> Group show Silent City<\/em>, Y Gallery \/Minsk, Belarus<\/p>\n\n\n\n

2015<\/strong> Solo show Open Access<\/em>, Museum of the History of Religion \/Lviv, Ukraine<\/p>\n\n\n\n

2015<\/strong> Group show, Photo Festival ESTREET \/Lublin, Poland<\/p>\n\n\n\n

2014<\/strong> Group Show Light Project<\/em>, Umea \u2013 culture capital 2014 \/Umea, Sweden<\/p>\n\n\n\n

2014<\/strong> Group Show Reliability Theory<\/em>, Modern Art Research Institute of Ukrainian Academy of Arts\/ Kyiv, Ukraine<\/p>\n\n\n\n

2014<\/strong> Photo project You Are War<\/em>, Festival ARTISTERIUM \/Tbilisi, Georgia<\/p>\n\n\n\n

2014<\/strong> Photo project Family Album<\/em> \/published in ARHIVO <\/p>\n\n\n\n

2014<\/strong> Project Changes<\/em>, Festival Batumi Backyard Stories \/ Batumi, Georgia <\/strong><\/p>\n\n\n\n

2012<\/strong> Group show R\u2019Evolution Art<\/em> \/Tbilisi, Georgia<\/p>\n\n\n\n

2010<\/strong> Multimedia project Sofa<\/em>, Festival Park.In \/ Lviv, Ukraine<\/p>\n\n\n\n

2010<\/strong> Photo project Lost<\/em>, Festival Non Stop Media \/Kharkov, Ukraine<\/p>\n\n\n\n


Selected Curatorial Shows:<\/strong><\/p>\n\n\n\n

2021<\/strong> Tectonic Shift<\/em>, international exhibition, Zamok Monstrov\/ Odesa, Ukraine<\/p>\n\n\n\n

2020 <\/strong>The Encyclopedia of Architecture of Ukraine<\/em>, co-curator\/ Online Project<\/p>\n\n\n\n

2019 <\/strong>Body as Propaganda<\/em>, Latvian Museum of Photography \/ Riga, Latvia<\/p>\n\n\n\n

2019 <\/strong>Overcoming Gravity. Paraska Plytka-Horytsvit<\/em>, Art Arsenal \/Kyiv, Ukraine<\/p>\n\n\n\n

2019 <\/strong>Blind Spot<\/em>, Ukrainian\u2013South Korean project, Western and Eastern Arts Museum \/ Odesa, Ukraine<\/p>\n\n\n\n

2019<\/strong> Stand Point, <\/em>Odesa Photo Days Festival \/ Odesa, Ukraine<\/p>\n\n\n\n

2018 <\/strong>The Sun of the Mountains. Paraska Plytka-Horytsvit<\/em>, Invogue Art Gallery\/ Odesa, Ukraine<\/p>\n\n\n\n

2017 <\/strong>Lost Territories. Phantom. (LTA6),<\/em> SPUTNIK Photos collective, Small Gallery at Art Arsenal\/ Kyiv, Ukraine<\/p>\n\n\n\n

2017 <\/strong>Naive Archive<\/em>, Photo Kyiv Fair \/Kyiv, Ukraine<\/p>\n\n\n\n

2017 <\/strong>Elements of the Whole<\/em>, Odesa\/\/Batumi Photo Days Festival \/Batumi, Georgia<\/p>\n\n\n\n

2016 <\/strong>Elementary Manipulation, <\/em>Ukrainian Week in Gdansk \/Gdansk, Poland<\/p>\n\n\n\n

2016 <\/strong>Deformation<\/em>, Suwon Photo Festival \/Suwon, South Korea<\/p>\n\n\n\n

2015 <\/strong>Multimedia project Collective Unconscious<\/em>, Gogol Fest \/Kyiv, Ukraine<\/p>\n\n\n\n

2015 <\/strong>Trust Zone<\/em>, Museum of Archaeology \/Batumi, Georgia<\/p>\n\n\n\n

2015 <\/strong>Odesa. Photo Days<\/em>, Museum of Contemporary Art \/ Odesa, Ukraine<\/p>\n\n\n\n

2012 <\/strong>Nothing in Common<\/em>, <\/strong>Gallery Flat 57\/ Kyiv, Ukraine<\/p>\n\n\n\n

2011 <\/strong>Just So Stories<\/em>, House of Europe \/Tbilisi, Georgia<\/p>\n\n\n\n


Producing Events:<\/strong><\/p>\n\n\n\n

2021 <\/strong>Project Re-Framing Body \u2013 2<\/em>\/ Ukraine & Sweden<\/p>\n\n\n\n

2020 <\/strong>Project Re-Framing Body <\/em>\/Ukraine & Sweden<\/p>\n\n\n\n

2015 <\/strong>International dance performance Waiting in the Margins<\/em> \/Ukraine & Georgia &Sweden<\/p>\n\n\n\n

2015 <\/strong>Ukrainian\u2013Swedish project Archaeology of Bodies<\/em> \/Ukraine<\/p>\n\n\n\n

2012-2013 <\/strong>International theatre project HOME<\/em> \/Ukraine & Sweden<\/p>\n\n\n\n

2011-2011 <\/strong>International art project R\u2019Evolution Art<\/em> \/Ukraine & Georgia<\/p>\n\n\n\n

2010<\/strong> Art project Trolley No.9<\/em> \/Odesa, Ukraine<\/p>\n\n\n\n

2009<\/strong> Project Singing Kettles<\/em> (artist D. Shijan), festival TransFORM \/Warsaw, Poland<\/p>\n\n\n\n

2008<\/strong> Assistance in organization of international project SEAS \/Odesa, Ukraine<\/p>\n\n\n\n

2006-2007<\/strong> Manager of Ukrainian-Swedish project SWIZE (\u201cText: Sound, \u201cVideo Diary\u201d, \u201cFolk now\u201d, \u201cUrban Structures\u201d)\/ Odesa, Ukraine<\/p>\n\n\n\n

2006<\/strong> International Youth Photo Biennale Beyond the Borders<\/em> \/Odesa, Ukraine<\/p>\n\n\n\n

2005-2006<\/strong> Social project No Roof?<\/em> \/Odesa, Ukraine\u00a0<\/p>\n\n\n\n

2005<\/strong> International Art Festival GUN<\/em> \/Odesa, Ukraine<\/p>\n\n\n\n

2004<\/strong> International Art Festival A Modern View<\/em> \/Odesa, Ukraine <\/p>\n\n\n\n


Residencies:  <\/strong><\/p>\n\n\n\n

2020 <\/strong>Klaipeda Photography residency \/ Klaipeda, Lithuania<\/p>\n\n\n\n

2015 <\/strong>Art residency at Villa Arson \/Nice, France<\/p>\n\n\n\n

2014 <\/strong>GAUDE POLONIA \/ Warsaw, Poland<\/p>\n\n\n\n

2011 \u2013 2013 <\/strong>Curatorial scholarship at PinchukArtCentre \/Kyiv, Ukraine<\/p>\n\n\n\n

2012<\/strong> Residency ArtsLink, the Museum of Photographic Arts \/San Diego, USA<\/p>\n\n\n\n

2012<\/strong> International art expedition CORNERS \/Ukraine, Poland, Lithuania, Russia <\/p>\n\n\n\n

2011<\/strong> International art expedition CORNERS \/Turkey, Georgia, Azerbaijan<\/p>\n\n\n\n

2008<\/strong> Scholarship for art managers, INTERCULT\/ Stockholm, Sweden<\/p>\n\n\n\n


Selected Lectures \/ Discussions \/ Symposiums:<\/strong><\/p>\n\n\n\n

2019 <\/strong>Lecture Propaganda and Manipulation in Photography<\/em> \/Warsaw, Poland<\/p>\n\n\n\n

2019 <\/strong>Curatorial talk A Body in Ukrainian Photography<\/em> \/Riga, Latvia <\/p>\n\n\n\n

2019 <\/strong>Lecture Photography as Propaganda<\/em> \/Weimar, Germany<\/p>\n\n\n\n

2017 <\/strong>Art Fair SUOMI International Art Festival, professional round table discussion Limits and Borders in the Art Field and Ways to Step out of Them<\/em> \/Helsinki, Finland <\/strong><\/p>\n\n\n\n

2017 <\/strong>Lecture <\/strong>Photography of Change<\/em>, Center of Urban History of East Central Europe \/Lviv, Ukraine<\/p>\n\n\n\n

2016<\/strong> Lecture Ukrainian Photography: Path Toward Independence and Manifestation<\/em>, Finnish Museum of Photography \/Helsinki, Finland<\/p>\n\n\n\n

2016<\/strong> Moderating discussion Image Interpretation Processes in the Post-Soviet Countries<\/em>, Riga Photo Month \/Riga, Latvia <\/p>\n\n\n\n

2016<\/strong> Presentation Private Memory<\/em>. Project \u201cArchive of the Memory\u201d \/Kyiv, Ukraine<\/p>\n\n\n\n

2015<\/strong> Artist Talk at Villa Arson\/ Nice, France <\/strong><\/p>\n\n\n\n

2014 <\/strong>Hosting workshop Batumi Alternative Guide Book<\/em> \/Batumi, Georgia<\/p>\n\n\n\n

2014<\/strong> Presenting at the conference Art in Public Space with a lecture Public Art of Maidan<\/em> \/Gdansk, Poland<\/p>\n\n\n\n

2013<\/strong> Symposium Slow Revolution: Art and Culture in the Institutional and Territorial Peripheries <\/em>\/Riga, Latvia<\/p>\n\n\n\n

2013 <\/strong>Conference Art in Public Space<\/em> \/Stockholm, Sweden<\/p>\n\n\n\n

2012 <\/strong>Lecture Development of Contemporary Photography in the Post-Soviet Countries<\/em>, the Museum of Photographic Arts \/San Diego, USA<\/p>\n\n\n\n

2012<\/strong> Lecture Development of Contemporary Photography in the Post-Soviet Countries,<\/em> George Washington University \/Washington DC, USA<\/p>\n\n\n\n

2009<\/strong> Conference City Scape <\/em>\/Gothenburg, Sweden<\/p>\n\n\n\n

2009<\/strong> Conference of the project Rivers\/\/ Cities \/Stockholm, Sweden<\/p>\n\n\n\n

<\/p>\n\n\n\n


Selected Publications \/ Books:<\/strong><\/p>\n\n\n\n

2021 <\/strong>Propaganda and Manipulation or hidden Ukrainian photography<\/em>, Wszyscy Jestesmy Fotografami VOL.2, 192-211. Warsaw 2021<\/p>\n\n\n\n

2020 <\/strong>Une histoire mondiale des femmes photographes<\/em>, page 263. Editionss Textuel, Paris 2020.<\/p>\n\n\n\n

2019<\/strong> Paraska Plytka-Horytsvit\u2019s Photography Archive. When a Photograph Tells a Story<\/em>. Paraska Plytka-Horytsvit. Overcoming Gravity, 146-152. Kyiv 2019.<\/p>\n\n\n\n

2017 <\/strong>Images Tell Stories,<\/em> a book published in collaboration with the Finnish Museum of Photography. Helsinki 2017.<\/p>\n\n\n\n

2016 <\/strong>Public Art on Maidan. Rebellion in an Artistic Form. Chronicles of One Winter,<\/em> 111-118. Donbas. First Line. Kyiv 2016.<\/p>\n\n\n\n

2012<\/strong> R\u2019Evolution Art Project<\/em> Catalog. Kyiv, 84 pages.<\/p>\n\n\n\n

2012<\/strong> Alternative Art Guide Book<\/em>. Odesa 2012, 128 pages.<\/p>\n\n\n\n

Every Curator’s Handbook, Five Terms to Fly to Space, <\/em>pp. <\/em>49-51.<\/p>\n\n\n\n


Portfolio reviewer:  <\/strong>Landskrona Photo Festival (Sweden), <\/strong>Photo Wien (Austria), Lodz Photo Festival (Poland), Riga Photo Months (Latvia), Suwon Photo Festival (South Korea).<\/p>\n","protected":false},"excerpt":{"rendered":"

Kateryna Radchenko Artist, curator, photography researcher.  Major in Philosophy and Journalism at Odesa National University. Kateryna considers art as an alternative media to share stories and visualise problems. Interested in covering social issues through visual images. As an artist, she\u2019s working with collages, photo installations, and public space interventions.   Since 2015 \u2013 founder and director […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/radchenko.net.ua\/ua\/wp-json\/wp\/v2\/pages\/43"}],"collection":[{"href":"https:\/\/radchenko.net.ua\/ua\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/radchenko.net.ua\/ua\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/radchenko.net.ua\/ua\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radchenko.net.ua\/ua\/wp-json\/wp\/v2\/comments?post=43"}],"version-history":[{"count":22,"href":"https:\/\/radchenko.net.ua\/ua\/wp-json\/wp\/v2\/pages\/43\/revisions"}],"predecessor-version":[{"id":316,"href":"https:\/\/radchenko.net.ua\/ua\/wp-json\/wp\/v2\/pages\/43\/revisions\/316"}],"wp:attachment":[{"href":"https:\/\/radchenko.net.ua\/ua\/wp-json\/wp\/v2\/media?parent=43"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}