Open Access, 2015

For centuries, we’ve been keeping memories: in cellars and attics, in hot and cold rooms, in the open air and in the places beyond the reach of the sunlight. It’s the memory about historical events and about the past reflected in specific everyday items, in art, in photographs and books. Libraries, museums, and galleries are all places of memory concentration. Archives are packed to capacity, and there, just like in the labyrinths of history, things get lost and forgotten…due to the lack of access to studying, acknowledging, and reinterpreting one’s heritage…

The photo project “Open Access” urges us to give a new meaning to the issue of keeping/preserving/using archives and collections. The lack of access to them results in oblivion and destruction. Why do we need to remember the past and to preserve it in the present-day context? What do we protect collections and archives from by making them inaccessible or failing to interpret them?

The project is a result of work with collections and archives of the Lviv Museum of Folk Architecture and Rural Life and the Lviv Museum of Religious History. It was presented as an intervention into the ongoing museum exhibition; as a visual intervention of photographs displayed in between the museum exhibits. Shown at the Lviv Museum of Religious History.

You are War, 2014

Seven hundred kilometers away from my home town, the war is raging. It’s happening in the same country, some 700 kilometers away from me and my family, but I don’t know what is really going on there. The war occupied physical territory and online space. We don’t know where to find true and accurate information; we’re just trying to understand the situation and act according to our own subjective knowledge. We are far away from the epicenter but, at the same time, we’re part of the historical moment.

It is a photo story in the form of a collage about the fight for future freedom. Contemporary media information and historical knowledge are combined in search for the truth.

Shown at ARTISTERIUM, Tbilisi, Georgia and group exhibition Reliability Theory, Kyiv, Ukraine.

Published in MAGENTA.

Family Album, 2014

The project was created in Warsaw during a six-month scholarship. I remember what the city looked like in the early 1990s, and I noticed how it changed. The city became colorful and multinational, with all kinds of cafes serving kebab and Vietnamese noodles. Formation of a contemporary city is influenced by inter-ethnical integration. Every person moving to another capital becomes part of the global history of this land.

It seems that Warsaw is overwhelmed by the past. I have never seen so many events focused on history, memories, and analysis of the past. History and memory live in each building, in each street. It seems that it’s forbidden to forget anything here; nobody will let this happen. 

The story of each person’s life appears to be the history of an entire country. So, to get to know this city better, it’s enough to meet its people.

The project consists of archive pictures from family albums and offers a reflection about an ordinary person’s story becoming part of an integral, global narrative.

Published in ARHIVO (Issue 10/ autumn 2014)